The Transformation Of Jared Leto From Childhood To 51

This article contains references to suicide, drug use, and extreme weight gain and weight loss.

From one role to the next, and with each and every strange new course of his personal reinvention, the transformation of Jared Leto has been one of Hollywood's more outlandish evolutions. His mysterious and deeply private public persona is one that lends itself to an idiosyncratic rendering of his own celebrity. As such, he remains something of a pop culture litmus test for how audiences know him best: Is he the goth prophet of 30 Seconds to Mars? The metamorphic artist? The ribald red carpet raconteur? Or simply the dude from the Gucci adverts?

In interviews, even Leto has often seemed perplexed by his own identity and it's mutable nature — and more than willing to confuse others about it, too. Having once described himself as a "maniacal narcissist" to Rolling Stone, the star has gained himself a reputation in the media for being evasive yet self-involved; a star who loves to deliver misdirection while always maintaining attention on himself. As a frustrated The Telegraph interview with Leto once proposed based on his behavior, "Either you dismiss Jared Leto as a big jerk ... or go with it, like eating novelty sweets with no nutritional value — irritating and addictive at the same time." 

Who exactly is Leto, and how did he get where he is today? Go "method" with some guyliner and the most luxurious wig of ombré you can find and get deep into character, because this is the transformation of Leto from childhood to 51.

Having spent his childhood being nurtured in the many languages of the arts, Jared Leto came of age seasoned with creative ambition. In Manhattan, he attended the School of Visual Arts where he'd lost himself in the process of creating work. When it came to photography, he told Rolling Stone, "I would go in the darkroom and come out, like, eight hours later." 

Meanwhile, his process for painting sounded equally as immersive and substantial, with the star informing The Telegraph that he was "interested in scale" more than anything else, resulting in "paintings that were five or six storeys high." It stands to reason then that Leto would later become renowned for acting work which would involve a method process equivalent to creating "five or six storeys" worth of a painting. But first, he'd have to get to Hollywood.

To do so, he'd first discover that film was his mother tongue during his third year at college, where he focused on "video art," as he explained to James Franco for Interview. "But then I dropped out because I thought I would have a better chance at directing a film if I got a job as an actor first." Leto jumped ship to California, where he slept on a beach in Venice "with a backpack and a couple of hundred bucks in my pocket." It was a bold move, but it paid off.

To the heartbreak of misunderstood bad boy enthusiasts everywhere, "My So Called Life" was cancelled after just one season, per Los Angeles Times. Jared Leto was now free to drop his dreamboat credentials by taking on whatever roles he pleased. Initially, he wasn't offered a lot of variety, however. 

In "How To Make An American Quilt" he played a handsome rich kid having an affair with a maid; in "Urban Legend" he played a handsome reporter; and in "Cool and the Crazy" he played a handsome husband in an unhappy marriage with Alicia Silverstone... you get the idea. Like with "My So Called Life," it seemed like Leto was maybe not terribly proud of such roles. So much so that in 2002 he claimed to have "never even heard" of "Urban Legend," when asked about it by an incredulous reporter from IGN. 

Luckily, he eventually found a role he was proud of — depicting Irish long distance runner Steve Prefontaine in the biopic "Prefontaine." It was the first time Leto was able to immerse himself in a character, telling Daily Bruin that he "just became a runner" for the role, and fully committed to an intense training regime in doing so. Despite critical acclaim, the film flopped and Leto was more than a little devastated. "That's the thing about movies," he told Rolling Stone, "They break your heart."

Certainly, his method approach didn't do the actor any favors when Jared Leto was dating Cameron Diaz. The two became involved in 1999 and were what The Telegraph referred to as one of "Hollywood's most photogenic, but least photographed couples." It was the first, and last, high profile relationship of the actor's career, with him admitting to Rolling Stone that he was unlikely to ever share his romantic affairs "publicly." 

When they split in 2003 it was following rumors that Diaz had struggled with her beau's "Requiem for a Dream" process. That reportedly included the actor giving up sex during filming, and checking into a Portugal monastery afterwards "to recover his wits," according to Cinema.com. But that didn't stop Leto from enjoying a storied love life afterwards — albeit, conducted as far out of the public eye as possible. 

As rounded up by Distractify, in the five years following his split from Diaz, Leto was said to have enjoyed relationships and dalliances with women including Paris Hilton, Lindsay Lohan, Ashley Olsen and Scarlett Johansson. And, what better look to accompany such alleged Lothario behavior than that of a rock star? Having dipped his toe into punk-poser looks with peroxide hair statements and the occasional leather look, Leto was ready for his next evolution: Hollywood-superstar-turned-mall-goth-icon. 

Having doggedly proven his rock star credentials with 30 Seconds to Mars, Jared Leto was back on his Hollywood hobby horse of extreme method acting. For the movie "Chapter 27," he depicted Mark David Chapman — the man who shot John Lennon — and as ever, he willingly endangered his health to do so. 

In depicting the man he described as "embodying the total failure of humanity" he gained 67 pounds in a short space of time and got gout. "It's a stupid thing to do," he confessed to The Guardian afterwards. The movie was a critical and commercial bomb, with RogerEbert.com slamming the actor's performance for reducing Chapman to "nothing but a belly, a haircut, and some tinted aviator glasses." Of Leto they pondered, "You wonder if he suffers from regret" for delving so deeply and destructively into such an underwhelming role. 

Potentially. Following the role, the star would drop out of acting for five years to refocus his attention to his first love: filmmaking. Working under the pseudonym Bartholomew Cubbins, the musician directed the music videos for 30 Seconds to Mars songs including "The Kill," "A Beautiful Lie," and "Kings and Queens." Speaking to L'Officiel, he explained that "as an art school dropout" he loves to "spend as much time on the music videos and visual components" of the songs, as the actual music. In time, this love for visual expression would likewise be reflected in his style, too.

During his Hollywood hiatus, Jared Leto started "to question" what he "had to offer as an actor." But ultimately, the time away gave him renewed energy and focus as an artist, making him "not only a better person, but a better actor," per Interview. In 2013, the actor took on the divisive role of a HIV positive transgender sex worker in "Dallas Buyers Club," where he was able to flex his newfound focus to (mostly) critical acclaim. 

Dropping 30 pounds for the performance, Leto also "lived in that character" of Rayon "throughout the course of shooting." As he told RogerEbert.com, although he could remove the character's makeup at the end of a day, he couldn't lose "all the inside stuff" for fear he'd lose "all the minutia" of her. "If you say in that position, close to the part," he elaborated to The Guardian, "it's like you get all this batting practice." It paid off, and his performance earned him a heap of prestigious awards including a Golden Globe, a SAG award, and an Oscar.

For his real life transformation into an awards season darling, InStyle celebrated the "quirky-yet-cool sense of style" of his "sharp rocker look." At the Oscars, he stayed true to himself in an off-white Saint Laurent suit, accessorized with rich burgundy accents. All of which, Tom + Lorenzo enthused, made him look "really good" if a little "too '1980s prom.'"

Just as Jared Leto had seemingly found his style, he had to lose it again for another immersive performance: As The Joker in David Ayer's "Suicide Squad." As Vanity Fair commiserated, the actor's "prized" ombré mane and beard were chopped off for the role, with Leto stating sadly on an Instagram post showcasing the cut, "I miss my beard already." 

Thus began Leto's next method transformation — one so unpopular that The Atlantic opined it had "ruined method acting" by being "more about ego and marketing than" performance. Leto's method techniques reportedly included gifting a live rat to Margot Robbie and sending anal beads and used condoms to his cast mates "to create a dynamic" on-set, per E! The actor later played down the extent of such behavior to Entertainment Weekly where he called "99.9%" of the reports about his clown prince of crime pranks, "bull****." 

Whatever the case, the actor still threw himself into the role, telling Rolling Stone that he watched real violence online to understand the "methodical and sometimes hypnotic" calm of The Joker's crimes. Like "Chapter 27," it may not have been worth the effort. "Suicide Squad" was hit by an onslaught of dismal reviews, many of which took issue with the superficiality of Leto's Joker – such as Insider who described him as being, "just a really angry dude who probably regrets his tattoos." It's a good job he had a private island and thousands of adoring fans to retreat to.

Fresh off his time as a mysterious real-life rock'n'roll cult prophet, Jared Leto was ready for his next transformation: As Paolo Gucci in "House of Gucci." Although he "connected deeply" with the eccentric real-life figure, who he described to USA Today as "a frustrated artist who wanted to do something meaningful with his life," he had to lose his entire physicality to bring his version of the character to the screen. 

Donning prosthetics, a bald cap, and a fat suit for the role, Leto told The Hollywood Reporter that he believed the makeup was "not only a disguise" but another method for enhancing his performance, stating, "a mask also reveals." Regardless, those who knew the actual Paolo weren't impressed. Gucci's former creative director Tom Ford wrote that Leto's depiction was "crazed," which the real Paolo wasn't. According to the AP, Patrizia Gucci described his rendering of her father as simply, "horrible."

Still, he was anything but horrible on the red carpet. Now in his fifties, the star luxuriated in gloriously outrageous peak-Gucci looks for the film's various premieres: A pink satin tuxedo in Los Angeles (above); A faded flamingo faux-fur atop mustard velvet in New York; and a sleazy low-cut blue velvet suit in London. Beneath them, was the same artistic wayfarer who had arrived in Hollywood by sleeping on its beaches: Only now he had a Gucci compass navigating him on the red carpet. But, beyond that? Leto remains a mystery.